https://art.kimbadawi.com/ weekly 1.0 https://art.kimbadawi.com/exhibitions/-workshops monthly 0.8 https://storage.neonsky.app/57210b6bb848a/images/405288_10151066889565500_67237568_n.jpg https://art.kimbadawi.com/about monthly 0.8 https://storage.neonsky.app/57210b6bb848a/images/11011603_10155578637040402_961119472153703858_n.jpg https://art.kimbadawi.com/contact monthly 0.8 https://storage.neonsky.app/57210b6bb848a/images/1935667_275198955499_200892_n.jpg https://art.kimbadawi.com/radically-faerie monthly 0.8 https://cdn.neonsky.app/57210b6bb848a/images/New16023139.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/14630483.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/14630655.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/14629724.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/14633250.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/KBadawi10.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/14634209.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/17949281.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/KBadawi17.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Badawi_Kim13.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeLf084.jpg Work in progress. This ongoing project chronicles intimate moments shared between performers and illusionists living within subculture groups in North America today. In some cases these performers use live action statements can range from medieval re-enactment to fantasy role play. One of these groups, or "tribes" largly represented, but not limited to are the ?Radical Faeries?. Of those also visual suggested in this photographic study are ?queens?, ?drags?, ?princes?, ?nymphs?, ?maids?, ?mermen?, ?nemos?, ?emos?, ?eco-feministas?, ?neo-pagans?, ?ren-pirates?, ?pretties?, ?kandies?, ?bears?, ?pixies?, ?dikes?, ?dites?, ?sistas?, ?Mother-hoods?, ?chasers?, ?dists?, ?dreamers?, ?dancers?, ?dwirlers?, ?leathers?, ?straits?, ?trans?, ?gender-benders?, ?inter-sexuals?, mythical and medieval creatures and characters, and even contemporary forest folk legends. https://cdn.neonsky.app/57210b6bb848a/images/14634407.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/14630712.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/14632880.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/ffairy18.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeLf126.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeLf032.jpg Work in progress. This ongoing project chronicles intimate moments shared between performers and illusionists living within subculture groups in North America today. In some cases these performers use live action statements can range from medieval re-enactment to fantasy role play. One of these groups, or "tribes" largly represented, but not limited to are the ?Radical Faeries?. Of those also visual suggested in this photographic study are ?queens?, ?drags?, ?princes?, ?nymphs?, ?maids?, ?mermen?, ?nemos?, ?emos?, ?eco-feministas?, ?neo-pagans?, ?ren-pirates?, ?pretties?, ?kandies?, ?bears?, ?pixies?, ?dikes?, ?dites?, ?sistas?, ?Mother-hoods?, ?chasers?, ?dists?, ?dreamers?, ?dancers?, ?dwirlers?, ?leathers?, ?straits?, ?trans?, ?gender-benders?, ?inter-sexuals?, mythical and medieval creatures and characters, and even contemporary forest folk legends. https://cdn.neonsky.app/57210b6bb848a/images/14632675.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeriePERS-2.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/16023117.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeLf064.jpg Work in progress. This ongoing project chronicles intimate moments shared between performers and illusionists living within subculture groups in North America today. In some cases these performers use live action statements can range from medieval re-enactment to fantasy role play. One of these groups, or "tribes" largly represented, but not limited to are the ?Radical Faeries?. Of those also visual suggested in this photographic study are ?queens?, ?drags?, ?princes?, ?nymphs?, ?maids?, ?mermen?, ?nemos?, ?emos?, ?eco-feministas?, ?neo-pagans?, ?ren-pirates?, ?pretties?, ?kandies?, ?bears?, ?pixies?, ?dikes?, ?dites?, ?sistas?, ?Mother-hoods?, ?chasers?, ?dists?, ?dreamers?, ?dancers?, ?dwirlers?, ?leathers?, ?straits?, ?trans?, ?gender-benders?, ?inter-sexuals?, mythical and medieval creatures and characters, and even contemporary forest folk legends. https://cdn.neonsky.app/57210b6bb848a/images/FaeLf047.jpg ..a Very Faeried Life: At the Persuit of always more Glitter. This on-going study chronicles the intimacy within the lives of people, groups and communities such as Radical Faeries who confront gender issues in North America today. One the groups or ?tribes? visually suggested are the Radical Faeries. Faeries are part of a flamboyant anti-assimilations fringe of gay activism, liberation and consciousness...Radical Faeries mediate between the masculine and the feminine and between the spiritual and the mundane. They buy land and turn it into Nature Sanctuaries where they gather, plan actions, explore and develop ? Queer Consciousness.? In cities, they are a network that marches against injustice and creates cultural events and interventions. With their circular manner of community building, which is inspired by Native Indian (North American) culture, inclusion, reverence for the sanctity of nature, and the anti-consumerism, this leaderness tribe creates a community that encourages diversity and nurtures independent and avant-garde artists. Radical Faeries are immeasurably cherished for their wisdom and sometimes even mystical message?? Forward from ?The NYC Radical Faeries? illustrated book by Luc Georges. 2008. https://cdn.neonsky.app/57210b6bb848a/images/FaeLf134.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeLf102.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeLf112.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/KBadawi20.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/KBadawi44.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeLf119.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/14636513.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeLf124.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/14631102.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/IMG_4673.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/fairieIMG_7434.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Badawi_Kim15.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeriePERS2-1.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeLf002.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeriePERS-33.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/14632050.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeLf060.jpg Work in progress. This ongoing project chronicles intimate moments shared between performers and illusionists living within subculture groups in North America today. In some cases these performers use live action statements can range from medieval re-enactment to fantasy role play. One of these groups, or "tribes" largly represented, but not limited to are the ?Radical Faeries?. Of those also visual suggested in this photographic study are ?queens?, ?drags?, ?princes?, ?nymphs?, ?maids?, ?mermen?, ?nemos?, ?emos?, ?eco-feministas?, ?neo-pagans?, ?ren-pirates?, ?pretties?, ?kandies?, ?bears?, ?pixies?, ?dikes?, ?dites?, ?sistas?, ?Mother-hoods?, ?chasers?, ?dists?, ?dreamers?, ?dancers?, ?dwirlers?, ?leathers?, ?straits?, ?trans?, ?gender-benders?, ?inter-sexuals?, mythical and medieval creatures and characters, and even contemporary forest folk legends. https://cdn.neonsky.app/57210b6bb848a/images/14631140.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/FaeLf045.jpg Work in progress. This ongoing project chronicles intimate moments shared between performers and illusionists living within subculture groups in North America today. In some cases these performers use live action statements can range from medieval re-enactment to fantasy role play. One of these groups, or "tribes" largly represented, but not limited to are the ?Radical Faeries?. Of those also visual suggested in this photographic study are ?queens?, ?drags?, ?princes?, ?nymphs?, ?maids?, ?mermen?, ?nemos?, ?emos?, ?eco-feministas?, ?neo-pagans?, ?ren-pirates?, ?pretties?, ?kandies?, ?bears?, ?pixies?, ?dikes?, ?dites?, ?sistas?, ?Mother-hoods?, ?chasers?, ?dists?, ?dreamers?, ?dancers?, ?dwirlers?, ?leathers?, ?straits?, ?trans?, ?gender-benders?, ?inter-sexuals?, mythical and medieval creatures and characters, and even contemporary forest folk legends. https://cdn.neonsky.app/57210b6bb848a/images/KBadawi03.jpg Radically Faerie | Kim Badawi View Radically Faerie by Kim Badawi. https://art.kimbadawi.com/taqwacores monthly 0.8 https://art.kimbadawi.com/les-k-taphiles monthly 0.8 https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi396.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi387.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi573.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi576.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/zzzzum-1.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi285.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi590.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi300.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi405.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi288.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi569.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi571.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi089.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi399.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi222.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi536.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi338.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi517.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi472.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi431.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi262.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi359.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi413.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi465.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi504.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi515.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi513.jpg PARIS, FRANCE - APRIL 25 : Parisian cataphile, "Leo" goes on a evening of digging in the Catacombs underneath the 13th Arroundissement on April 25th, 2010 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) PARIS, FRANCE - APRIL 25 : Parisian cataphile, "Leo" goes on a evening of digging in the Catacombs underneath the 13th Arroundissement on April 25th, 2010 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi181.jpg PARIS, FRANCE - MARCH 18 : Parisian cataphiles, "Lobo", goes on a evening of urban exploration in the Catacombs underneath the 14th Arroundissement on March 18th, 2010 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) PARIS, FRANCE - MARCH 18 : Parisian cataphiles, "Lobo", goes on a evening of urban exploration in the Catacombs underneath the 14th Arroundissement on March 18th, 2010 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi353.jpg PARIS, FRANCE - APRIL 20 : Parisian cataphiles, "Claude", "Alex", and "K-ta Pop" go on a evening of urban exploration underneath the 13th Arroundissement on April 20th, 2010 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) PARIS, FRANCE - APRIL 20 : Parisian cataphiles, "Claude", "Alex", and "K-ta Pop" go on a evening of urban exploration underneath the 13th Arroundissement on April 20th, 2010 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi417.jpg PARIS, FRANCE - APRIL 16 : Parisian cataphiles, "Pierre", "Leo", "Kim K-ta", "Laktin K-ta" and "Mako K-ta" go on a evening of urban exploration underneath the 15th Arroundissement on April 16th, 2010 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) PARIS, FRANCE - APRIL 16 : Parisian cataphiles, "Pierre", "Leo", "Kim K-ta", "Laktin K-ta" and "Mako K-ta" go on a evening of urban exploration underneath the 15th Arroundissement on April 16th, 2010 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi446.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi044.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi259.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi207.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi016.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi470.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi042.jpg PARIS, FRANCE - NOVEMBER 20 : Parisian cataphiles, "Universalis", "Lotus", "Lau", et "Boby" go on a evening of urban exploration near Meudon sur Seine on November 20th, 2009 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) PARIS, FRANCE - NOVEMBER 20 : Parisian cataphiles, "Universalis", "Lotus", "Lau", et "Boby" go on a evening of urban exploration near Meudon sur Seine on November 20th, 2009 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi094.jpg PARIS, FRANCE - NOVEMBER 20 : Parisian cataphiles, "Universalis", "Lotus", "Lau", et "Boby" go on a evening of urban exploration near Meudon sur Seine on November 20th, 2009 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) PARIS, FRANCE - NOVEMBER 20 : Parisian cataphiles, "Universalis", "Lotus", "Lau", et "Boby" go on a evening of urban exploration near Meudon sur Seine on November 20th, 2009 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi019.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi116.jpg PARIS, FRANCE - MARCH 13 : Parisian cataphiles, "Lotus" and "Souri" go on a evening of urban exploration in the Catacombs underneath the 13th Arroundissement on March 13th, 2010 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) PARIS, FRANCE - MARCH 13 : Parisian cataphiles, "Lotus" and "Souri" go on a evening of urban exploration in the Catacombs underneath the 13th Arroundissement on March 13th, 2010 in Paris, France. Cataphiles are Parisian urban explorers who illegally wander the catacombs, a term popularly used to describe a series of underground tunnels that were formerly a network of stone mines. The catacombs (or les k'tas as they are known ) are vaste networks of underground galleries,  tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300 km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded.  Because of these dangers, accessing the catacombs has been illegal since November 2, 1955.  Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. Originally built shortly after the French revolution to house the remains of destroyed tombs during the expansion of the city, the catacombs are testimony to over two centuries of the city's historical heritage. Including shelters used by the French resistance during the Nazi occupation of Paris during the second World War. Beginning in the late sixties, Parisians known as cataphiles began restoring some of these spaces, organizing ossuaries to make way for more innovative and creative spaces, or themed-based neighborhoods. There are three rules which a cataphile must follow and respect. They are as follows : 1) "What comes down must go up." This is a rule that applies to littering, and is throughly respected and enforced, by most cataphiles.  2) "Never speak of the above". Most cataphiles use pseudonyms to identify themselves amongst other cataphiles. What one does for a living or where he/she goes to school is rarely discussed in the catacombs. Any given point is never referred to in terms of an actual map of Paris, but rather of it's situation in these newly-named underground neighborhoods. Many of the plaques indicate the name of the street above, but in some cases certain ones are purposefully misleading.  3) "Never trust anyone". There is a a given notion that an good cataphile is not only someone with sense of adventure, above average navigational skills but obviously also someone who has sufficiently been exposed to life in these underground quarries or to communities that visit the catacombs regularly. It is for this very reason that knowledge of off-the-map locations and of the network in is entirety is secretive and awarded on a merit basis. In short, since the Catacombs are made up of complex tunnel systems ranging on several floors covering an entire city and with only a few existing entrances or exits to the world above, it is advisable never trust anyone, apparent signage or online map. (Kim Badawi / Reportage by Getty Images) https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi117.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/IN18039994RImage-----PARIS--3.jpg 103743071KB001_catacombs RImage PARIS, FRANCE - APRIL 20: Parisian cataphile, "Kta Pop" exits the catacombes through a public parking lot after an evening of urban exploration underneath the 13th Arroundissement on April 20, 2010 in Paris, France. The parking lot in located eight floors underneath ground level in the center of the city. The catacombs (or les k'tas as they are known ) are vast networks of underground galleries, tunnels and crypts under the city of lights. Here, nearly eighty yards below the city's cobble stones, there are no lights, electricity or even sound. There are no living things, creatures or fantastic urban legends in the catacombs; however, it is estimated that a sheer 300 Parisians visit the catacombs weekly. Entering through secret entrances throughout the city and visiting the catacombs is illegal and considered trespassing, although it is somewhat tolerated by locals, and if caught penalized by a small fine. Entrance to the official catacombs is restricted. The portion of the catacombs open to the public is only a small part of an extensive network of underground tunnels, which spans more than 300km (about 186 miles) in length. Some passages can be low or narrow, or partially flooded. Because of these dangers, accessing the catacombs has been illegal since November 2, 1955. Secret entrances do however exist throughout Paris, where it is possible for cataphiles to enter the catacombs via the sewers, metro, and certain manholes. Cataphiles are in a sense a community since they share the same spaces and though divided in certain networks, or underground neighborhoods. Cataphiles may not necessarily pledge allegiance to the to the exact network they may actually live above in the city but may choose to visit repeatedly a network beneath a different neighborhood of the city. Rivalry and alliances between networks do exist, and "tourists", or non-cataphiles not always rarely welcome. (Photo by Kim Badawi/Reportage by Getty Images) https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi001.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi006.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi055.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi401.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi520.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi071.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi265.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi115.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi355.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi157.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi320.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi582.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi427.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi296.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi421.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi439.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi530.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi249.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://cdn.neonsky.app/57210b6bb848a/images/Kata_Paris_KBadawi243.jpg Les k-taphiles | Kim Badawi View Les k-taphiles by Kim Badawi. https://art.kimbadawi.com/ibrazil monthly 0.8 https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_d69gcj69_33ywim_2015-12-28_1451341866_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: iBrazil Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. 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Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_d69gcj69_pbtcdi_2015-02-23_1424697089_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: iBrazil Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_d69gcj69_58g1x4_2015-02-03_1422932013_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: iBrazil Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_d69gcj69_whzqpc_2015-03-01_1425238802_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: iBrazil Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_d69gcj69_a2ltja_2014-03-27_1395950223_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: iBrazil Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_d69gcj69_78ckvi_2014-12-12_1418367972_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: iBrazil Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_d69gcj69_t1rvds_2015-08-28_1440802015_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: iBrazil Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_d69gcj69_7vamux_2014-04-01_1396394168_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: iBrazil Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_d69gcj69_fc0pma_2014-03-30_1396147885_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: iBrazil Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_d69gcj69_7d6opr_2014-04-08_1396983678_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: iBrazil Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_d69gcj69_b44nhx_2015-12-27_1451192246_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: iBrazil Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_d69gcj69_07717o_2015-02-13_1423823525_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: iBrazil Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://art.kimbadawi.com/indios-urbano monthly 0.8 https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_63jnx8_Aldeia-14_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_yaz3c0_Aldeiappp-8_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_h9d1n6_Aldeia-76_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_sdgdi9_Aldeiax3-1_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_jrmdui_Aldeiappp-9_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_4ku5fd_Aldeia-9_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_bf6ruc_Aldeia-56_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_bhnu34_Aldeia-4_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_r609j5_Aldeia-10_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_55u46l_Aldeia-3_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_kjy73k_Aldeia-27_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_3i0nc9_Aldeia-19_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_9icrl4_Aldeia-52_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_her8df_Aldeiapppp-1_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_nitbqj_Aldeia-12_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_s89vbz_Aldeiav-2_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_eptq2e_Aldeia-51_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_hdujsi_Aldeia-83_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_nosaac_Aldeia-40_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_v5flfw_Aldeia-41_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_7s1b6t_Aldeiav-3_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_eif2jm_Aldeia-66_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_3nmp96_Aldeia-58_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_9zfd79_Aldeia-30_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media https://storage.neonsky.app/57210b6bb848a/images/dp0f9eyj_t0v21x9b_nvmcx9_Aldeias-1_thumb.jpg Kim Badawi Galleries Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã Kim Badawi Galleries: Indios-Urbano South America's oldest Indigenous Museum Texte Nicolas Bourcier Images Kim Badawi Translation << The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.  A l'ombre du Maracanã Texte Nicolas Bourcier Images Kim Badawi Le symbole est presque trop lourd. A quelques mètres du célèbre stade Maracanã de Rio où se jouera la finale du Mondial 2014, se dresse une bâtisse défraîchie. La plus ancienne maison consacrée aux Indiens d'Amérique du Sud. Pour la sauver de la démolition et des appétits immobiliers, les « indigènes » se mobilisent depuis sept ans. Transformant leur lutte en un laboratoire de la contestation sociale au Brésil. Au coeur de Rio de Janeiro, chauffé à blanc par un soleil de braise, l'endroit tient de la forteresse assiégée et du bunker. Les grillages sont hauts et les unités spéciales de la police  The Occupation of Aldeia Maracanã :  South America's oldest Indigenous Museum The building know as Aldeia Maracanã ( Maracanã Village) is destined to be demolished as part of preparations for the upcoming World Cup to make way for a parking lot and food stands for the nearby Maracana football stadium. Rio's former indigenous museum, built in 1862, has been occupied by indigenous groups as well as activists who have tried for the past 6 years to turn into a community center.  After various attempts by the the Brazilian riot police to evacuate the occupants and the intervention of various celebrities, social, political and human rights groups, to save the antique building.      Galleriesavatars Radically FaerieTaqwacoresLes k-taphilesiBrazil Indios-Urbano Private Galleriesexhibitions/ workshopsaboutcontact Kim Badawi © 2014. Site design © 2010-2025 Neon Sky Creative Media